Y’all probably already know that I love Sailor Moon. What you likely don’t already know is that I also love Dragon Ball. In fact, while I technically like Sailor Moon more, I have to admit that Dragon Ball is objectively better. I’d probably say that Dragon Ball is the best anime directed at children to come out during the 90s, and given the fact that I largely avoided Dragon Ball in favor of Sailor Moon when I was younger, I don’t think that’s nostalgia speaking.
A lot of anime fans ignore Dragon Ball because it has a bad reputation. Unfortunately, I understand why: its successor, Dragon Ball Z, is the epitome of why I dislike the shounen genre. I’m going to explain why in my next post, but we have to understand where Dragon Ball went right in order to understand why Dragon Ball Z tore all of that work apart.
(Please note: It’s not that Dragon Ball Z has no appeal. It can be entertaining sometimes. It’s just, entertainment for entertainment’s sake is shallow, and while DBZ does have its deep moments, for the most part, the word “shallow” applies quite well.)
Let’s begin, shall we?
First of all: Dragon Ball was not Akira Toriyama’s first work, but it was the work that catapulted Toriyama into international fame. It was also the work that brought awareness of anime to the United States, and though there are certainly older works (like Golgo-13 and Lupin III), Dragon Ball remains the second-highest grossing manga to date.
(The first being One Piece, which was likely only allowed to be as successful as it was because Dragon Ball paved the way. I despise it, and will never write about it on this blog.)
Toriyama paved the way for later anime to find commercial success in the United States. It’s plausible to say that without him, we wouldn’t have anime in the US at all. Golgo-13 and Lupin III found success in the US after Dragon Ball proved to be successful in an international market, and many of the other top-grossing manga came after Dragon Ball and were inspired by Toriyama’s work.
Which I guess brings us to the question: what about Dragon Ball was so great?
Differentiation
But first, we have to talk about what, exactly, Dragon Ball is.
The Japanese manga doesn’t really differentiate between Dragon Ball and Dragon Ball Z. That came later, when American audiences had to differentiate between the two because of their drastically different tones and goals. The first half of the manga is comedic, childish, and has some intellectual and emotional depth, though we’ll get into why that is later; the second half of the manga is a martial-arts inspired alien-scifi-action show, and is separated from the first half by a timeskip of five or ten years. The American manga does differentiate, but we all know Viz Media doesn’t know how to fuckin’ do anything, so we can safely ignore that.
The first thing you need to know is that Toriyama did not initially want to continue Dragon Ball. Dragon Ball’s financial success compelled Toriyama to continue the series long after it was supposed to be finished, and although none of us can speculate about what Toriyama intended, we can safely assume that the natural ending point of Dragon Ball would have been before the timeskip. It makes a lot of sense that Dragon Ball would end right about before the timeskip. It would have had a satisfying ending had it ended around the Piccolo arc.
Unfortunately, Dragon Ball Z didn’t have the same compelling factors that enraptured the initial consumers of Dragon Ball. The first season had a sense of urgency; the next couple of seasons (Frieza, Frieza again somehow, the Androids) had a sense of urgency, but started to feel a little repetitive after a bit. Then, when Cell and Majiin Buu entered the picture, it lost all its believability. The plot was repetitive and didn’t make a whole lot of sense.
I won’t write about Dragon Ball GT because Toriyama didn’t have anything to do with it. I also won’t write about Dragon Ball Super because I haven’t seen it.
What I will say is that Toriyama likely did not plan to continue Dragon Ball past the Piccolo arc, but was prevented from ending the series because the fanbase demanded it. He chose money over artistic integrity – and while I can’t say I blame him, I do have to wonder how different anime as a genre would have been if Toriyama had finished Dragon Ball with the Piccolo arc.






















































